Romeo and Juliet – a couple that has a very odd perception of their relationship. They look at a loft situated in an old factory. Juliet immediately starts fantasizing and dreaming about how she would decorate it. Boom! Romeo is forced to buy it for her.

The real-estate agent and the secret owner of the factory, however, turn out to be a couple of sadistic serial killers – too bad Romeo and Juliet are everything but docile victims. They are even more round the bend than the mad real-estate agent and his deranged buddy!

A dead body and a few shovels of dirt later Romeo is stuck in trouble virtually up to his neck. Even worse, Juliet is forced to postpone her house-decorating plans to rescue her boyfriend from the claws of the deranged owner of the factory.

With the KOP11 procuction On Evil Grounds director Peter Koller invites the audience to a twisted journey into the land of pain and sadistic joy, inhabited by perverted serial killers, sexist machos and a idylle-addicted femme fatale.

Comparable movies? Not in Austria. Actually not even in the german-speaking region within Europe.



On Evil Grounds is a visual return into the country of the spaghetti-western from the late 1960ies. Visually full of dirt and heat, a remote, rotten factory, filthy characters full of oddities, and storywise a sadistic joker with a carefully handpicked dose of meaningless violence On Evil Grounds and its citizens steer toward the unavoidable nihilistic climax.